MUSIC VIDEO STORYBOARD

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Intro (Instrumental Opening) 

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 • Scene: Establishing shots of the city at night, focusing on neon lights, fast cars, and bustling streets.
• Visuals: Slow-motion car wheels spinning, close-up of street signs, aerial shots of the cityscape.

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Hook (First Part)

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“I be off dem molly rocks…”

 • Scene: Close-up of the main artist (Rah Rage) in the back seat of a luxury car, sipping a drink with neon-lit interior lights.
• Visuals: Focused, slightly distorted shots to give a “trippy” feel, reflecting the lyrics.

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“Whole gang on dey necks…”

 • Scene: Transition to a crew walking confidently down a lit-up urban street, cutting between slow-motion and quick cuts.
• Visuals: Group shots with urban graffiti as the backdrop, cinematic lighting.

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Chorus

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“Riding in the back, close my eyes I’m seeing stars…”
• Scene: A party bus or a rooftop car scene with friends, showcasing laughter, dancing, and the thrill of the moment.
• Visuals: POV shots of the night sky, reflections on tinted car windows, girls dancing with confetti and party lights.

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Verse 1 (3005 Buckhead)

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“Give a fuck bout what you saying…"

 • Scene: High-energy rooftop party at the 3005 Buckhead, people vibing and dancing, people hanging by pool, main artist mingling with the crowd.
• Visuals: Close-ups of stylish outfits, people holding red solo cups, quick cuts between faces laughing and dancing.

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“Needa cop some hoe repellent cant keep these bitches off of me…"

 • Scene: Rah Rage standing on a makeshift stage, performing with charisma and commanding the crowd’s attention. People closest to stage are reaching out screaming for Rah’s attention. 
• Visuals: Handheld, raw shots mixed with quick pans of the crowd hyping dem up, capturing the intensity and camaraderie.

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Hook (Reprise)

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“I be off dem molly rocks…”

 • Scene: Close-up of Rah Rage chilling with friends, bottle of sprite, geeked. 
• Visuals: Focused, slightly distorted shots to give a “trippy” feel, reflecting the lyrics.

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Chorus (Reprise)

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“Riding in the back, close my eyes I’m seeing stars…”

 • Scene: Rooftop scene transitions to partying on  tables, dancers moving to the beat.
• Visuals: Light flares, quick zoom-ins on laughing faces, silhouettes under colorful lighting.

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Verse 2 (BLX Crib)

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“Told that hoe come over bih we off the tessies…”

 • Scene: Intense close-up shots of friends taking selfies, exaggerated expressions of joy, and partying in smaller groups.
• Visuals: A mix of glamorous, candid moments and posed scenes, focusing on luxurious details.

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“All the baddies in our section flashing titties showing feet…”

       •     Scene: Rah Rage with friends on Roof of BLX mansion, smoking, dancing, drinking etc. 
       •     Visuals: Close-ups on people holding drinks, laughing, and moving in rhythm.

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Hook /Chorus (Final)

 

​“I be off dem molly rocks…”

 • Repeat party scenes with bigger and more dynamic shots, intercut with more personal, reflective moments of the artist sitting back and enjoying the moment.
• Ending Scene: Close with a final shot of the city skyline, pulling away from the mansion as the music fades.

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B-Roll (Abandoned Tunnel) 

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 • Walking Shots: Capture slow-motion clips of Rah Rage and the crew walking through the tunnel, silhouetted by the tunnel’s natural light.
• Graffiti Close-Ups: Highlight any existing graffiti for a gritty, urban atmosphere.
• Light Play: Use handheld lights or neon wands to create dynamic, moving light patterns on the tunnel walls.
• Candid Group Moments: Shots of the crew laughing, interacting, or casually leaning against the tunnel walls.
• Footwork: Close-ups of shoes walking over debris or puddles for texture and details
• Profile Silhouettes: Side shots of Rah Rage in profile, set against the dim light at the tunnel’s entrance or exit

 • Overhead Angles: Use a high-angle shot to show the group positioned within the tunnel’s unique architecture.
• Shadow Play: Capture shadows dancing on the walls as people move or dance.
• Smoke Effects: Introduce a smoke machine for a mysterious, moody B-roll effect.
• Static Shots: Quick, cut-in shots of still props like a discarded bottle or chains to enhance the setting’s ambiance.